There’s a real three-dimensional sound from this unit that’s super engaging. It really shines in the effects department too, particularly with reverbs and delays. They’ve got a great interaction with your playing dynamics that makes them feel as satisfying as the real thing. The emulated amp sounds are really detailed and realistic. With some beautifully detailed amp models, an array of FX, and an expression pedal, don’t let the small size of this brilliant multi-effects pedal fool you. When you consider the possibilities with the GX-100, either as a standalone modeling amp, a multi-effects unit going into a tube amp, or as a MIDI-switching blend of the two, this unit is exceptionally priced – and it's easy to use too.įollowing on from its much-lauded PedalBoard, HeadRush's MX5 aims to take all that mighty processing power and place it in a unit you can stick in the front of your gig bag. All 154 of them sound great before any tweaking, and they only get better as you tweak them and stack them up. There's a few amp models in the GX-100 to cover most tonal bases, but where it shines for us is the vast amount of effects onboard.
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While we still referred to the manual on occasion, getting to grips with the GX-100 is a gratifying and simple process. Setting up patches and presets on the GX-100 is a significantly easier, more streamlined and more beginner-friendly process than on some of the other Boss pedals, and when it comes to editing parameters, it's equally as simple and intuitive. The GX-100 is Boss' first pedal to include a touchscreen, and hopefully it won't be the last. As a result, the new GX-100 comes out the gate looking like it has a point to prove – and it sure does prove it. Their compact stompboxes are infinitely popular – but their multi-effects units haven't quite been met with the same reception. If you're into your pedals, then Boss will be a household name to you.
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Read the full Neural DSP Quad Cortex review We’d find it nigh-on impossible to run through the full feature-set here, so be sure to check out our full review which is coming soon, but if you’re serious about guitar, and have the cash to support your aims, then the Neural DSP Quad Cortex should be front and centre of your shortlist. You can stack amps, effects and anything else as far as your imagination will let you. What you’ve got, essentially, is a floor-based supercomputer where every calculation, every process, every action and every interaction is designed purely to achieve the most advanced levels of tonal control and sonic fidelity there has ever been. A big claim, sure, but it’s easy to see why.
But how much tweakability would be considered too much? Have we reached peak tweak? Not if you ask Neural DSP, whose Quad Cortex is, it claims, the most powerful floor modeler on the planet. All those glorious sounds, just waiting to be tweaked and changed. Part of the attraction to multi-effects units is the sheer potential for experimentation.
Blending performance, easy usability, and an impressive array of sounds, it’s well worth the investment to help augment, shrink, or replace your existing rig. Best multi-effects pedals: Our top picksįactoring in both price and power, our number one choice for the best multi-effects pedal is the Line 6 Helix LT. If you'd like to get straight to the products, then keep scrolling. We've included some expert buying advice at the end of this guide, so if you'd like to read more about the best multi-effects pedals and what you need to know before buying one, then click the link. It’s an exciting time to be a guitarist, and with the best multi-effects pedals you get more choice than ever before. Want a backline that consists of a high gain tube head, a solid state clean amp, and a boutique tube combo? Now you don’t have to lug three different amps around with you, just take your multi-effects pedal out of the bag and get to work. Thanks to some serious technological advancements, particularly the development of the cabinet impulse response, the quality of amp simulation that’s available now means multi-effects pedals are completely replacing the modern guitar player’s set-up. Multi-effects pedals were initially invented to supplant your pedalboard, giving you all the drives, reverbs, and delays you needed in one place.
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